Originality and fright-factor had been gutted from the subgenre thanks to countless sequels and their antagonists, who had evolved into cartoon-like anti-heroes. Horror fans tended to root for these caricatures, who were no longer garnering screams, but harvesting cheers.
That is until 1996, when Scream rebooted the slasher genre, in a brilliant deconstruction of the slice-and-dice subject matter. But was Ghostface really that terrifying in a film that almost parodied the slasher?
Rewind one year to the release of a truly terrifying slasher that spent five years in development hell. Through countless rewrites, a multitude of on-board directors and one big legal battle, the follow up to 1989’s Halloween 5: The Revenge of Michael Myers finally saw the light of day.
The Curse of Michael Myers was intended to answer many questions about Myers’ past and counter the ambiguous ending of its predecessor.
It’s also the most panned Halloween film (with Michael Myers) of them all, by fans and critics alike. Not to mention the best sequel in the Halloween franchise.
After the traumatic events of the original Halloween, Tommy Doyle (a young Paul Rudd in his film debut) has spent his entire life as an introvert, researching Myers on his sweet-ass Commodore 64 while waiting for him to return home to Haddonfield.
When Tommy tunes in to a radio show on Devil’s Night, that just so happens to be broadcasting a Michael Myers special, he listens in on a call made by Jamie Lloyd, who tells the shock-jock that her uncle Michael is back and he is coming to get her.
After Tommy’s investigation into the strange call he finds Jamie’s baby, who she had stashed away before meeting her demise, and Tommy takes the infant on as his charge.
The next day, Tommy and Dr. Sam Loomis reunite for the first time in over fifteen years, and they begin to anticipate the Shape’s return.
Meanwhile, Laurie’s adoptive father’s brother John Strode (Bradford English), of Strode Real Estate, has recently moved his family into the old Myers’ house after years of being on the market and being unsuccessful to sell (one wonders why).
Without giving too much of the plot away, let’s just say there’s a new child contingent on taking on the mantle of the Boogeyman, after a much thought out plan and some information on why Michael is the way he is. But everybody who has viewed Halloween H20: 20 Years Later or Halloween: Resurrection knows how that turns out.
Not only is Curse one of the most forgotten films of the franchise, but it’s also the third film that H20 forgot about by not including the story arc of Jamie Lloyd in each film’s recapitulation (including Halloween 4: The Return of Michael Myers and Halloween 5: The Revenge of Michael Myers).
Sadly, Curse is also Donald Pleasence’s last turn as Dr. Loomis, as the brilliant actor had passed away months before the film’s release, causing filmmakers to alter the ending (a “Producer’s Cut” of Curse has been circulating around the Internet for many years before getting a much approved – by Halloween enthusiasts – “liberation” in the latest box set release).
The film has much going for it including a joke about Michael Myers in space (before Jason Voorhees and the Leprechaun did it), a rock n roll twist on the original score (as if Randy Rhodes laid some licks over top of John Carpenter’s original score), and a throwback to the ridiculous amount of white bed sheets people owned in 1980’s slasher flicks (and happened to wash them all on the same day).
The greatest thing about the death of the slasher film was the booming psychological thrillers that captivated audiences throughout the nineties (The Silence of the Lambs was the first horror film to win an Oscar). But keep in mind that there were still a few worthwhile horror films out there that buoyed the slasher subgenre throughout the grunge era, and most have yet to be seen by the laymen (that is, non-horror fiends) or have been brushed off since first viewing. So take a piece of that Halloween nostalgia everybody feels this time of year, and revisit Halloween: The Curse of Michael Myers. You may come out with a totally different perspective, or just be entertained as much as the first viewing – like me.
~ Mad Matthew McPhee